Maxine's BD: Vacations in Hungary

...Where P. reflects on her father's driving style.

News about the degree (12-22-08)

I can't believe I did it! I finally finished my last two classes at Portland State University.

Now, it is only a matter of time before I get my diploma.

Maxine's BD: The World Has Gone to H... (ca. 12-08?)

...Where P. recapitulates the last few years' woes...

Gary Losing It (ca. 12-08)

I gotta admit: I really like these small thumbnail sketches of Gary losing his temper, because I think I really caught the expression right... I planned to use them as a reference if I ever worked on a comic story about one of his rare but spectacular outbursts.

Funny!

Apologies... Not doing well.

I haven't been able to think straight because of an ongoing chronic inflammation of the heels (imagine that when you're walking, every step or movement feels like you have a sprained or a broken ankle, and you see little flashes of light because it hurts terribly, all the time).
Anyway, I don't feel up to post anything right now.

Apologies, this blog has been quiet lately... (12-11-08)

...due to the author's health problems.

I hope to snap out of it soon and to post something.

Portland Houses: Pittock Mansion (12-06-08)

What can I say about this quasi-castle, the most famous house in Portland?

The Pittock Mansion is situated on top of a forested hill that must have been difficult to reach in the 1920s. Whenever I visit it, my thoughts go to the staff whose function was to be at the beck and call of the owners. So, more than the grand Music Room, or the Library, the spaces that interest me are those one which the rest of the house depended to be functional. For a long time, the kitchen was closed, but now restored, it is part of the tours. Although it is a large room with a great view of downtown, equipped with a superb top-of-the (1920s) line of stove, adjacent to a walk-in cooling room, there is hardly a counter to work on or a surface to lay things on.

Portland Houses: The Lion and the Rose (12-06-08)

The Lion and the Rose is a famous Bed and Breakfast in Portland. We were given a tour of this superb house by one of the owners. It has been gorgeously decorated (flowery wallpapers, antiques, period-style light fixtures, etc.). Imagine, 7 bedrooms and about 9 bathrooms! I loved the amazing attic with cavernous ceilings and a tiny turret room.

This house is listed on the Historic Register, and so a sign was posted announcing that the house would be open for tours the next day. I wanted J. and C. them to see this beautiful house, so we went back and had a great time admiring it.

Portland Houses: The Georgian House (12-06-08)

The owner of The Georgian House Bed and Breakfast gave us a tour of her house which she operates as a Bed and Breakfast. Although I am not partial to Country style, the consistency of the decorating was very pleasant overall. This house is obviously well-cared for and is a lovely, welcoming and comfortable place.

Portland Houses: White House (12-06-08)

The White House, a famous Bed and Breakfast in Portland is very impressive Greek Revival mansion is a breath-taker, a heart-stopper, a beautiful, immaculate house in a perfect setting.

Portland Houses: Clinker Brick House (12-06-08)

Hmm... Although this house had a certain charm, the dormers' metal frame windows were obviously not period and the big rust-colored metal panes in front of the gutter channels looked unsightly.

We used to own a (great) house in Medford with two fireplaces made of clinker bricks. I was told that these bricks which look almost black and whose shapes are often distorted were brought up to Oregon after the Great Fire of San Francisco in 1906 and used on new construction of the time.

Portland Houses: Tudor House (12-06-08)

I didn't care for this house. It seemed very average compared to some other houses in Irvington.

Portland Houses: Cottage House (12-06-08)

I did some sketches of houses for my last class at Portland State University.

The Cottage House is my favorite. It's essentially a Tudor style house whose woodwork has been refinished in natural stain (as opposed to the usual dark brown). I particularly liked the bent shingles roof, don in an effort to keep the general shape, -if not the look, of a straw roof.

Back from Europe! (12-01-08)

Well...Paris was Paris.
The women were beautiful and stylish, the weather was nice, the food was great...

Belgium: My Aunt and Uncle (11-25-08)

While in Belgium, I went to visit my aunt (Tante Marcelle) and my uncle (Onc' Jacques).
My aunt is 83; she always has some interesting story to tell, while my uncle (85) tends to joke, with the same sort of dry humor my cousins inherited.

Tante Marcelle:
"Ah, that reminds me what happened with the neighbors, but that was 16 years ago, no, wait, it was 12 years ago, because I remember the wall hadn't been rebuilt yet, well, what was I saying? Oh, that's right, the neighbors, nice people; they always say "Hello" so nicely. But they have the nerve to park the truck right across the gate and there's no room left for anyone. Did I tell you the man is a truck driver? No? Anyway, they always say hello very nicely, but then, the kids do the darnedest things. They keep kicking their soccer ball over the gate, and it pisses me off that they keep doing it, over and over. When I go down the alley, if I have to go get groceries, and I find the ball, I throw it back over the gate, but I had to go tell the mother to tell the kids to stop ringing the doorbell at the gate. It's happened several times, I had to go all the way down the alley, then the stairs. -Ah, it was exactly 12 and half years ago, because we redid the stairs after the wall!- So you see, it just doesn't seem right for an old lady like me to have to go down all the way down the alley then the stairs, and just for a soccer ball, you see. It's bad enough that I have to go down those stairs twice a week to go get groceries. Ah, yes, that's right; I was telling you about the neighbor. What did I want to tell again? I can't remember anymore... I have the worst memory. No, really, I assure you. I can't remember anything. It's terrible how low we sink. So, as I was saying, those people are always parking their darn truck in the street and there is no room to do anything, see, since it's a cul-de-sac, no one can turn their car around because of his %^!! truck. But they're nice people...for the most part."

Onc' Jacques:
"You can almost tell whose car it was by the color of the paint scrapes on the side of the truck!"

Paris: Les Deux Moulins (11-21-08)

...This is the coffee shop featured in the movie "Amélie."

On my last day in Paris, I decided to walk from the hotel all the way to Montmartre despite the hotel's concierge trying to persuade me to take the Metro instead. I wanted to see the average streets of the city, the day-to-day banal and morose façades, and to not restrict myself to the picturesque only.

It was a long walk. My foot had started hurting again, and Montmartre was far away, uphill. But on the way, I did several things I couldn't have, had I taken the Metro.

I went to the Fragonard Museum of Perfume (essentially a perfume store) and sampled perfumes willy-nilly, and it was deliciously and fragrantly fun. I walked by the Opéra. I went in the Galleries Lafayette (department store), up to the rooftop terrace and enjoyed a beautiful fall view of the city. I had a late lunch in the cafeteria, and marveled at how everything looked delicious, from the salad bar to the steaks grilled to order (compare that to greasy burgers in the U.S.). I went up narrow streets full of people going about their lives. I went into the Sacré-Coeur (the big white church in Montmartre), and enjoyed the opportunity to simply be there. The view from the steps outside the church was memorable; the sky was streaked in pinks and mauves.

It was getting dark fast; it was my last evening in Paris.

As nighttime came, it got really cold. I was limping and every step on the cobblestones was painful. I found the coffee shop, hesitated, then went inside and had a wonderful little cup of hot chocolate. It was magical to sit in a place I had seen in a lovely movie.

Paris: Buddha-bar (11-19-08)

Late one evening, I went to the famous, super trendy Buddha-Bar.

I went inside, past the bouncers, and down a wide staircase to a dimly-lit landing and was directed to the balcony-level bar. I found a table in a corner of the balcony and took my time working in a my sketchbook, sipping my 9 Euros 0,5 liter bottle of water over the course of two hours, taking in the sounds and the sights.

The place was dark, music was blasting from loudspeakers, -I love club music-, people wore black (an art statement), graying older men wearing sport jackets over turtleneck sweaters were hunting for girls to pick up, pretty girls were laughing and busy talking over the noise. Looking down from the balcony to the cavernous space housing the basement-level restaurant, one could faintly see tables full of people and the great Buddha statue the restaurant is famous for.

Paris: Moroccan Restaurant (11-18-08)

... I found an absolutely great Moroccan restaurant in the Quartier Latin.

I ate well in Paris.
Since I was there for work, I even had the opportunity to splurge and have a fine meal in an elegant Art Deco-era bistro warmly recommended to me by the hotel concierge as "a great value for the very reasonable price" (30 Euros Prix Fixe Menu for dinner: a generous portion of Foie Gras as an appetizer, Steak Tartare with Fries as a main course, and Crème Brûlée as dessert)...

But the best place I ate at was at this little Moroccan restaurant in an alley bordered by narrow streets with ethnic and regional cuisine restaurants. The warm welcome, the good food, the tea (oh, the mint tea...), and the price which was much more affordable made this place one I will gladly re-visit if I get a chance.

I had a delicious Couscous with chicken. The best part of the meal was the mint tea, sweet and hot. I sat in a daze of happiness, sipping my tea and weakly trying to refuse the many refills I was offered.

Paris: I met a Fairy Godmother (11-18-08)

I know it sounds strange, but I met a Fairy Godmother.

Sitting on a bench in the Akira Kurosawa exhibit in the Petit Palais (art museum), I was lost in my thoughts. I hadn't been feeling well and was debating what to do once I left the museum.

I looked up when I heard a woman standing nearby sigh out loud, as if to catch my attention. She then began to fan herself with a program, exclaiming that she was exhausted and sat down on my bench. She started talking to me, as if we had been visiting the museum together all along. I immediately felt like I knew this woman.

She was small vivacious, talkative, funny. We talked about the Kurosawa exhibit, his movies, Art, museums, and things to do in Paris, Life, what it is all about. She told me that she lives in the countryside and comes up to Paris once a year to visit museums and go to the theater. She asked me about myself, how I was. She told me I was very brave and courageous.

As we were talking, I kept asking myself how it was possible that I felt like I knew her... She was in her mid-sixties, perhaps older; her hair was dark brown and cut in an impish pageboy style. Would she have gotten along with my mom, had she ever met her? Was it my mom she was reminding me of? True, my mom had the same self-assured manner and friendly way with people… I asked her name, “Oh, it’s a stupid name, Elizabeth.” I then asked her, should we perhaps exchange addresses? She brushed my question off. "Whatever for? There is no need for that!" And she was right.

We went together to visit some of the rooms in the museum, showed each other artwork we had admired on our own. She shared some Japanese art she had liked and I showed her a floor-to-ceiling painting of “The Good Samaritan” that looked so real, I had at first thought it was a color photograph. Still talking, we walked out of the museum together and went to the nearest Metro station. She decided to accompany me to the St Michel stop.

We got off the train. I wanted to thank her in for her kindness. I offered to draw a portrait of her and give it to her, but she laughed and refused; she said she looked terrible in portraits. She then hugged me, said "Au revoir, ma grande," kissed me on the cheek, waved goodbye as she walked away, down a flight of stairs to her train, and disappeared among the crowd. She was gone.
I suddenly felt very lonely.

Paris: Chez Flottes (11-16-08)

...On my first night in Paris, I had dinner at Chez Flottes, a small bistro near the hotel.

I had a delicious onion soup and a perfect little crème brûlée for dessert.

Off to Europe! (11-14-08)

I'm leaving for Paris tomorrow, then off to Belgium next Saturday and will be back on November 26 (Julia's birthday).

Wordstock: Lynda Barry (11-09-08)

Alas...Wordstock is over.
I managed to escape from my obligations today and go to the Convention Center this afternoon. I had a great time walking down row after row of booths and tables hosted by small presses and other vendors who deal with the printed word.
My main reason to go was to see Lynda Barry, and she was worth the trip. She was shorter than I expected, wore cat's eye glasses and a big red and white polka dot headband wrapped around her head and tied into a knot on top. She laughed a lot, sang funny songs, and was natural in an I-don't-take-myself-seriously way that was both humbling and very real at the same time. (I'm afraid I don't make much sense here. What I'm trying to say is that her unguarded manner endeared her to the audience.)
I had purchased her new book (full of drawings!) and had been given a big ad poster for the book. As I approached the signing table, with my sketchbook, the poster and the new book in hand, wouldn't you know it? The Powell's guy-in-charge made some grumbling sounds to the effect that people should one get only one thing signed...event though he hadn’t said a word for the people before me.
Once at the table, if I was going to get only one signature, I wanted it in my sketchbook. She drew a monkey on the page across from the drawing I had done of her, and then offered to sign the new book and poster also. She was really cool and friendly. I showed her some of the Maxine comics from my "Maxine on the run" blog and gave her a card with the address for the website.
Lynda Barry: A+++

PSU Class: Michael J. (11-08-08)

A quick sketch of Michael J. of Cascade Geographic Society who organized the PSU class visit to the McLoughlin House in Oregon City.

PSU Class: Oregon History Interpretive Center (11-08-08)

A trip to the Mc Loughlin House in Oregon City, to visit "The Birthplace of Oregon" as part of a PSU class.

There hardly was anything in Oregon before the 1860s, in contrast with Europe.
By then my great-great-grand-father had already bought the stone house in Polleur (Belgium) and had set up a blacksmith shop. Years later, when my grand-parents were still alive, various old-fashioned tools still hung on the walls in the shop area.

It never ceases to amaze me to get inside old wooden pioneer houses in Oregon, so tiny and reminiscent of "The Little House on the Prairie." To think that this area is still so new... The sad thing, is how quickly things get demolished in this country, just because it is "old" (that is, over 40 years old). (Or worse yet, to see a charming "restored" farmhouse for sale, and to walk in what obligatorily ought to be a period-style kitchen, and to see stainless steel and mottled granite counter tops...)

Election Night (11-04-08)

We were invited to the Crawfords' on Tuesday, for an "Election Night Party."
It was nice to see that there was an apparent consensus across the country, and it was as if one could feel people around the globe sigh with relief.
I was also nice to hear a great speaker for a change. Someone who spoke well, who said meaningful, complete sentences, with no snickering. Soon, the "nukular," the "He's a good man," the "Mission Accomplished," the "I am the Decider"...will become just fleeting elements of a nightmare from which people yearn to wake up.
Of course, I am not an idealist to the point of thinking that this election is going to be the dawn to a new course for the country, but, maybe, it'll bring enough small changes to make a difference for the better. We need to move on, to turn the page. Let's change our modus operandi and fix things rather than dismantle and destroy.

Wordstock: Poetry Slam at the Bagdad (11-06-08)

Wordstock, the annual fun book event in Portland, started on Thursday with a Poetry Slam at the Bagdad Theater, which I attended as a volunteered. This was a perfect opportunity: I had never been to a Poetry Slam before and I wanted to do something in conjunction with Wordstock.
I helped set program booklets and pencils on tables in the auditorium and ushered people in, encouraging them to move to the front of the theater. The Bagdad Theater (it seems that I have been there a lot lately) soon filled with a merry crowd anticipating to have a great time.
When the emcees (performers from Good Sista/Bad Sista) asked for volunteer for judges, I jumped at the opportunity. I didn’t know who the competing poets were, not had I ever heard of them, so that made me eminently qualified and impartial. I got to sit in the second row with a paper pad and a Sharpie marker, to rate poems by Anis Mojgani, Karen Finneyfrock, Buddy Wakefield, Jodie Knowles, Derrick Brown, and Tara Hardy. When ready, I, along with the four other judges, waved my scores high over my head, in turn cheered and booed by the audience. It was a blast!
The whole thing was a lot of fun, and the poems were amazing! Scoring them was difficult; how can one reasonably rate someone’s words and feelings, expressed as performance art? But some poems “spoke” to my heart, and they are, in no particular order:
- Tara Hardy: poem about sand
- Karen Finneyfrock: poem about the Statue of Liberty
- Anis Mojgani: poem about his talking to a little boy on the bus
- Buddy Wakefield: poem about his anxious mother
- Jodie Knowles: poem about (I think) her brother
- Derrick Brown: the poem about a schoolyard fight, mimed by Anis Mojgani (with the help of Buddy Wakefield, the latter supporting the former as he reenacted the author falling down from a blow, then standing up again); this group performance was amazing.
And after it was all over, I picked up the remaining booklets and pencils.

From imagination: Woman face (ca. ???)

Another image from the brush pen series.
Although the precise strokes may look effortless, it took a lot of thinking to get the lines just where I wanted them, since these drawings were done straight with no pencil drafts.

Oh, the haunted houses... (ca. 10-08)

Here is a fun little découpage project, a house from my imagination.
In pyschoanalytic terms, houses are believed to be symbolic of the self. They represent the psychological extension of our identity, our innermost self.

Cleveland High School Choir Concert (10-30-08)

Some experiences are so enjoyable they are difficult to describe. We went to the Choir Concert at Cleveland High School tonight, and once again were treated to a great, great concert.
Despite a challenging first year, Sam Barbara, the new choir teacher, has really done wonders with the kids. It was a tough job stepping into long-time CHS choir teacher Steve Peter's shoes after the latter's leaving, but Sam has grown into the position, even winning "State" for the last two years.
Of course, I may be accused of being enthusiastic because my daughter J., -in the drawing, she's the girl between the two young men wearing top hats,- is in the "Daires" Concert Choir, but regardless of J.'s (charming) presence, it was a nice feeling to see the auditorium full of people, and to hear these talented young people sing, and to find them equally good at early medieval songs, African songs, gospel hymns or plain sappy love ballads.

...And here is the original (10-29-08)

I took this photo in 1979 or 1980 in Belgium.I saw the house every time we drove into Namur and every time we passed it, I pestered my mother's common-law-husband (I don't want to get into that story here) to slow down, so I could look at it. Finally, one day, he agreed to stop, and I took the photo.
This house is the inspiration for the drawing in my sketchbook. I love the sinister, abandoned look, the wild, unkempt yard, the thorny bushes, the overgrown trees. My kinda place.
I didn't see the house again until last year when I went back to Belgium, for a visit. My brother kindly drove around the neighborhood until we located it and then patiently waited as I spent 15 minutes gazing at it through the cast iron fence.
I'd love to say it's still exactly the same, that nothing's changed, but it has been turned into a school. And although it still retains some of its Victorian elegance, it has been fixed up, the property has been cleared and gravel pathways replace the overgrown jungle. It now looks like a school building (ahem, Belgium-style). Stern, but not gloomy anymore.
Things could be worse: old houses get torn down all the time.

Wanted: Old House (ca. 2001)

This is an old but favorite drawing of mine from 2001: it's the type of house I've been desperately seeking for years, but here are no old brick houses like that in Portland. As my daughter V. would say, the elusive house of my dreams must be "gloomy, but slightly impressive."

From Imagination: Woman Face (ca. ???)

My favorite from the imagination pieces. There is something capricious about her expression that I really like.

Maxine's BD: A Search for Meaning (ca. 10-08)

...Where Maxine reflects on the years passing by.

From imagination: Woman Face (ca. ???)

It's funny how the simplest tasks become an ordeal. For example, the minute something goes awry with the computer, I know it's going to take a bunch of time to troubleshoot and resolve. What I need is 1) time and 2) a computer and scanner that won't give me grief.

Anyway, here is another one of those imagination pieces done with a brush pen.

Proposal for a flag design (ca. 10-08)

In October 2008, Portland's Oregonian newspaper organized a contest to design a new flag for the State of Oregon, to suggest as a replacement for the present one.
Many people entered, with entries ranging from the quasi-heraldic-based to crayon-colored projects. I was delighted to find my entry published alongside many others in a full-color double-spread in the Sunday paper a few weeks later. But, as typical in our household, the paper ended up in the recycling bin before I remembered to save the page...

Definitely not original as far as the subject is concerned, but my flag design represents the two great currents of thought that seem to dominate around Civil War time: Oregonians are either Beavers (Oregon State University) or Ducks (University of Oregon) fans... I wanted to show the state as a unified place, and the choice of green as a background symbolizes the overall focus on the environment.

Ralph Nader at the Bagdad Theater (10-20-08)

Ralph Nader came to speak in Portland several years ago and was impressed enough by his message to vote for him in 2000. Still bruised over the last two elections, I had just about made up my mind that I wouldn’t pay attention to his candidacy this time around. Everyone said the stakes are too high.
Originally a Hillary Clinton supporter, I was very irritated when Obama didn't choose her as a vice-presidential candidate, despite Biden’s extensive...blablablah…record, etc. In addition to having some residual grudge over the Hillary issue, I wasn’t thrilled by Obama, since issues that matter to me were never mentioned in his speeches, but I was resigned to vote for him, although, really, the whole process has been a drag and I’ve been getting to the point where I couldn’t care less. When it comes to politics, I think that one must be either crazy or out of his mind to want to be president anyway, so anyone running for office in today’s climate is suspicious (case in point: the last eight years).
When I heard that Ralph Nader was coming to Portland, I decided to hold off my vote until I heard his speech. After a mix-up at the Denver airport, which made him miss a connection to Eugene, Ralph Nader barely made it to Portland on time to speak to a full house at the Bagdad Theater. Nader, always a great speaker, gave numbers, statistics and facts off the top of his head. It was really impressive to see him go from one point to another, and to give a speech with substance and devoid of fluff. No surprise he has been kept off the debates: he may have called attention to issues plaguing the country, such as poverty, low wages, lack of insurance, corporate greed, etc.
It was refreshing to finally hear points that I care about brought up in Nader’s speech, which had for the most part been left unmentioned by both Democrats and Republicans: military and corporate withdrawal from Iraq, national health insurance, the reduction of military budgets, a national minimum wage, solar energy, crackdown on corporate crime. Thank you, Mr. Nader for having some clear objectives.
Unlike past elections, I filled out my ballot early this time, and dropped it off at the elections office the day after the Bagdad rally. I know the way I voted will result in some people feeling like that they have the right to lecture me about how my vote is going to count for the other guy, etc. I heard it all in 2000. Don’t blame me for voting for a person with integrity and principles. Blame the Republicans who voted for George W. Bush in the first place. And if Obama doesn’t win, people ought to look at the corrupted election process, not at my vote as the reason.

Busy last few days attending cultural events (10-18-08)

In the last two weeks, I have seen Art Spiegelman at the Bagdad Theater, Mike Richardson of Dark Horse Comics at Portland State University, Paul Theroux, also at PSU, and Ralph Nader at a political rally at the Bagdad Theater.
I am going to post my thought about each event, along with the sketches I made, if any, in my sketchbook. Note that if any of the personalities drawn signed the sketchbook, the scanned image will have been doctored in Photoshop to remove said signature, for privacy reasons.

Paul Theroux at Portland State University (10-18-08)

The world changes, and the travel writer rarely revisits places he may have written about, but in "Ghost Train to the Eastern Star: On the Tracks of the Railway Bazaar, his latest book, well-known travel writer Paul Theroux tells of his returning to places he documented in "The Great Railway Bazaar" in the 70s.
Theroux's visit to Portland State University was the main event of PSU Week-End. As soon as the doors to Smith Ballroom opened to the general public, baby boomers and PSU alumni ($10) and students ($5) filed in early for a chance to get a seat close to the center of Smith Ballroom to hear Theroux.
His speech to a full room with nary an empty seat, was somewhat disjointed, like, say, it was a speech he may have prepared for a generic college graduation, but reworked for the old folks (Class of 58) who were sitting at the front of Smith Ballroom, eating a $125 lunch served by PSU Catering services, -and based on the food served by at the English Department’s “Meet and Greet” event a couple of nights before, a frightful prospect if there ever was one.
Despite the many conversational-style pauses and hesitations in his delivery, Theroux told interesting anecdotes, confirming that a travel writer would certainly experience the unusual during his trips.
I was particularly thrilled to get him to sign one of my favorite books of his, “The Collected Stories,” and, of course, my sketchbook.

Maxine's BD: Shopping for a bra (ca. 10-08)

...Where Maxine tries on several different sizes with little success.

Mike Richardson (Dark Horse Comics) at PSU (10-16-08)

Portland is home to comics giant Dark Horse Comics. Company founder and owner Mike Richardson recently made a generous gift to his Alma Mater’s Library: a collection of Dark Horse comics to be used for research purposes. Consequently, and in conjunction with PSU Week-End, Richardson gave a presentation to an attentive audience in packed Smith Ballroom, about how he got into comics and how he founded Dark Horse Comics, the evolution of trends in comics, etc., taking time to answer questions afterward.
The audience mostly consisted of male geeks or nerds in their late twenties to mid-thirties, the type with jet black hair, torn grey hoodies, and ill-fitting dark blue jeans and Converse shoes, people that one would picture as staying in dark basements, playing video games, who came up to the surface en masse for the occasion.
As soon as the Question/Answer session was over, I ran to the front to talk to Richardson. He was friendly and very approachable. I showed him a sketch I'd done of him in my sketchbook and he graciously signed it, telling me an anecdote about once signing another person's autograph album in Italy.
For a long time after the room had emptied, fans were still patiently waiting in line to talk to Richardson. Each and every person who had been waiting got to talk with him, and, like I had been able to, tell their story, and engage in a conversation in which he actually participated, listening, telling anecdotes, giving tips and information.
What a contrast with the other one (the Superstar).

The way I see her: Moso (ca. ???)

Another piece from the imagination series; this is a brush pen drawing I did while thinking of "Moso," my (funny) daughter.

From imagination: Woman Face (ca. ???)

This brush ink pen illustration is part of a series of imagination-based work. I would post the other ones, by it looks like my scanner gave up the ghost today...